Zug, June 2026. zuckermaus is 26 years old and lives in Germany. Anyone who sees her knows immediately: here is someone who does not fit into classic categories. Tattoos, an alternative look, techno-festival energy and a clear point of view.
She entered the scene early. “Back then it was hardtech, today it is techno,” she says. Yet it is not only the music that excites her. “I simply love the people there. The scene is incredibly open. Everyone can be who they are.” For her, the techno world stands apart from other club cultures. “You go there to dance. Not to show off or pick someone up.”
What she values most is the respectful atmosphere. “Of course things happen everywhere. But in the techno scene you are approached or harassed far less often.” This sense of freedom and mutual respect also shapes her own presence.
Tattoos play a central role. “My body is like a canvas,” she says. For her, tattoos are not a passing trend but both memory and processing. One motif is especially important: the portraits of her late dogs. “I grew up with them. That is my favorite tattoo. This way I carry them with me forever.”
While her mother views her passion for tattoos critically—“When are you finally going to stop?”—zuckermaus is already thinking about everything still to come. “I still have so much space and so much life ahead of me.”
She describes her style as “joyfully chaotic.” Joyful, because she is an open, life-affirming person. Chaotic, because she resists being pressed into rigid structures. “Who wants to conform?” she asks. “It is easier to adapt to society than to be free. But I think it is incredibly important to unfold yourself.”
For her, being alternative is not about provocation but about individuality. “If everyone conformed it would be terribly boring.”
As a creator she has been active for about three and a half years and works full-time in the erotic industry. Originally trained as an occupational therapist, she practiced the profession for only one year. “I realized I wanted to take a different path.”
Her community reacts mostly positively to her look and openness. “The more self-confident you are, the better you come across.” Of course there is hate—especially regarding her profession. “But I cannot please everyone.” A particularly persistent prejudice is the assumption that women in the erotic industry automatically sleep with everyone. “That is complete nonsense,” she states clearly. “The job says nothing about my private life.”
Alongside her current account she is planning a second platform with a feminist focus. “I want to create feminist content in a fun way—respectful yet pointed.” On her existing channel she also intends to promote body positivity and self-determination without cheap clickbait.
A formative experience was her first visit to the VENUS trade show shortly after she started. “Suddenly people were standing in front of me wanting photos. That was crazy.”
Her immediate circle is largely supportive. Her mother was initially skeptical and worries about safety and stability. “But she lets me go my own way.” Close friends stand firmly behind her.
Professionally she wants to continue developing and achieve greater financial stability. “When you become self-employed in your early twenties, no one tells you what to watch out for.” Much of it she learned only later; now she is actively working on solidifying her structures.
Privately she dreams of a life outside Germany. One day she would like to build a house on a mountain for her parents, overlooking a large lake in the valley. “A huge plot of land, animals, nature. That would be my dream.”
What should people know about her? “I talk a lot,” she says, laughing. And indeed it quickly becomes clear: zuckermaus lives loud, colorful, self-confident—yet with clear values.
Respect, freedom and self-realization come first for her.
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